I like the idea of being fully transparent about influence, if not even confessorial. I’m so bored with the idea of composers being sui generis romantic geniuses; I am obsessed with the idea of us all being inheritors, mimics, state employees, fonctionnaires, craftspeople. I had a revelation a few years ago: the pieces of music that move me most were written by people in the direct employ of the state or the church. Bach, Gibbons, Byrd, Weelkes, Taverner. With the exception of Britten and Adams, I’ve never been as fucked up by any music by a citizen composer than I have by these employees who didn’t have the time to go into the woods and commune with nature etc. Their asses had deadlines, and the responsibilities of the ecclesiastical calendar, and the choir turning up and whatever o’clock, and the music still hits me in the solar plexus.

Nico Muhly

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s